Step 1: Understanding the passage.
The passage discusses how both Avedon and Reynolds view the role of the artist in a portrait sitting. Avedon sees himself as an interloper, while Reynolds emphasizes the importance of the artist's control in creating the portrait. This suggests that both would likely agree that the artist should control the process.
Step 2: Analysis of options.
- (A) Control of the portrait-sitting experience should lie with the artist: Correct. Both Avedon and Reynolds emphasize the importance of the artist's control in the sitting. Avedon admits his role as an interloper and opportunist, while Reynolds believes the artist should guide the process.
- (B) A portrait is most likely to reveal the subject's true self when the sitting takes place in a setting familiar to the subject: Incorrect. This statement is more aligned with Hazlitt's view, not Avedon and Reynolds, who focus on the artist's control over the setting.
- (C) During portrait sittings, subjects often enjoy revealing secrets about themselves to the artist: Incorrect. The passage does not suggest that subjects often reveal secrets; it focuses on the dynamic between the artist and subject.
- (D) Paying an artist for a portrait of oneself undermines the mutual trust needed for a successful outcome: Incorrect. The passage does not suggest that paying an artist undermines trust but rather discusses the artist's role in guiding the process.
- (E) A person can gain new insight into himself or herself by sitting for a portrait: Incorrect. While this may be true in some cases, it is not a viewpoint expressed by either Avedon or Reynolds in the passage.
Step 3: Conclusion.
The correct answer is (A) Control of the portrait-sitting experience should lie with the artist.
Final Answer: \[ \boxed{(A) \, \text{Control of the portrait-sitting experience should lie with the artist.}} \]
If \(8x + 5x + 2x + 4x = 114\), then, \(5x + 3 = ?\)
If \(r = 5 z\) then \(15 z = 3 y,\) then \(r =\)