Question

An animator was trying out options of various rough poses while planning a frame of a shot. Mirroring and silhouetting are two aspects that animators need to consider when deciding whether a pose is good or not. (The left and right side having the same pose, i.e. mirrors of one another is called Mirroring. Silhouetting refers to the shape of the pose if it was a silhouette, i.e. the outline of the pose.) Based ONLY on these two aspects, which of the options can be considered the WEAKEST pose?

• A.
• B.
• C.
• D.

Answer 1

The Correct Option is B

When evaluating the weakest pose based on mirroring and silhouetting, we need to consider the following:

1. Mirroring: This refers to the balance and symmetry of a pose. A pose is mirrored when both sides reflect each other, creating balance.

2. Silhouetting: This involves the clarity and strength of the outline. A strong silhouette should convey the action or emotion clearly without detail.

To identify the weakest pose, we check each option:

Pose 1
Pose 2
Pose 3
Pose 4

An analysis of each pose based on the principles mentioned:

Pose 1: Displays strong symmetry, both sides mirror well. The silhouette is clear, encompassing a dynamic shape.

Pose 2: Lacks clear mirroring; one side may not effectively reflect the other. The silhouette may appear weak, failing to convey the intended action.

Pose 3: Maintains a balanced symmetry. The silhouette is strong, defining the character's motion clearly.

Pose 4: Shows adequate mirroring. Silhouetting outlines the pose well, indicating a controlled and expressive stance.

After evaluating each pose, Pose 2 emerges as the weakest due to its lack of clear mirroring and a less defined silhouette, making it difficult to interpret the pose's intention and emotion.