Comprehension

Alone — he was alone again — again condemned to silence — again face to face with nothingness! Alone! — never again to see the face, never again to hear the voice of the only human being who united him to earth! Was not Faria’s fate the better, after all — to solve the problem of life at its source, even at the risk of horrible suffering? The idea of suicide, which his friend had driven away and kept away by his cheerful presence, now hovered like a phantom over the abb´e’s dead body. 
“If I could die,” he said, “I should go where he goes, and should assuredly find him again. But how to die? It is very easy,” he went on with a smile; “I will remain here, rush on the first person that opens the door, strangle him, and then they will guillotine me.” But excessive grief is like a storm at sea, where the frail bark is tossed from the depths to the top of the wave. Dantes recoiled from the idea of so infamous a death, and passed suddenly from despair to an ardent desire for life and liberty.
“Die? Oh, no,” he exclaimed — “not die now, after having lived and suffered so long and so much! Die? yes, had I died years ago; but now to die would be, indeed, to give way to the sarcasm of destiny. No, I want to live; I shall struggle to the very last; I will yet win back the happiness of which I have been deprived. Before I die I must not forget that I have my executioners to punish, and perhaps, too, who knows, some friends to reward. Yet they will forget me here, and I shall die in my dungeon like Faria.” As he said this, he became silent and gazed straight before him like one overwhelmed with a strange and amazing thought. Suddenly he arose, lifted his hand to his brow as if his brain were giddy, paced twice or thrice round the dungeon, and then paused abruptly by the bed.
“Just God!” he muttered, “whence comes this thought? Is it from thee? Since none but the dead pass freely from this dungeon, let me take the place of the dead!” Without giving himself time to reconsider his decision, and, indeed, that he might not allow his thoughts to be distracted from his desperate resolution, he bent over the appalling shroud, opened it with the knife which Faria had made, drew the corpse from the sack, and bore it along the tunnel to his own chamber, laid it on his couch, tied around its head the rag he wore at night around his own, covered it with his counterpane, once again kissed the ice-cold brow, and tried vainly to close the resisting eyes, which glared horribly, turned the head towards the wall, so that the jailer might, when he brought the evening meal, believe that he was asleep, as was his frequent custom; entered the tunnel again, drew the bed against the wall, returned to the other cell, took from the hiding-place the needle and thread, flung off his rags, that they might feel only naked flesh beneath the coarse canvas, and getting inside the sack, placed himself in the posture in which the dead body had been laid, and sewed up the mouth of the sack from the inside.

Question: 1

How was the protagonist planning to resolve his problem?

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In comprehension questions, always focus on the {specific plan or action} mentioned in the passage rather than general possibilities.
Updated On: Aug 30, 2025
  • To give up and surrender.
  • To commit suicide in the dungeon.
  • To fight the jailor and escape.
  • To kill those who came to carry the corpse.
  • To exchange places with the dead.
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The Correct Option is

Solution and Explanation

The protagonist devised a clever escape plan rather than surrendering or resorting to violence.
He planned to hide by switching his place with a corpse that was to be carried out of the dungeon.
This way, he could be smuggled out unnoticed, bypassing guards and surveillance.
- Option A: Giving up does not resolve the problem.
- Option B: Suicide is not a solution.
- Option C: Fighting the jailor would be too risky and is not suggested in the passage.
- Option D: Killing those who carried corpses is not part of his plan.
- Option E: Correct — his escape strategy was to exchange places with the dead.
\[ \boxed{\text{The protagonist planned to resolve his problem by exchanging places with the dead.}} \]
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Question: 2

Which one of the following options is nearest in meaning to that implied by the phrase ‘sarcasm of destiny’ in this passage?

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When interpreting figurative phrases like “sarcasm of destiny,” focus on the underlying irony or inevitability, not literal meanings.
Updated On: Aug 30, 2025
  • Destiny makes one a laughing stock.
  • Destiny ultimately asserts itself.
  • Triumph of the struggles gone through.
  • A mockery of the forces of destiny.
  • Let the enemy have the last laugh.
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The Correct Option is B

Solution and Explanation

Step 1: Interpret the phrase.
The phrase “sarcasm of destiny” implies the irony or inevitability of fate asserting control despite human struggle or planning. Destiny eventually prevails, showing its dominance in shaping outcomes.
Step 2: Evaluate the options.
(A) “Destiny makes one a laughing stock” → too negative; focuses on ridicule rather than inevitability. ✗
(B) “Destiny ultimately asserts itself” → directly captures the meaning of fate overriding all else. ✓
(C) “Triumph of the struggles gone through” → emphasizes human struggle, not destiny’s dominance. ✗
(D) “A mockery of the forces of destiny” → opposite in meaning; suggests destiny is mocked. ✗
(E) “Let the enemy have the last laugh” → irrelevant, introduces enemy concept not linked to destiny. ✗
Step 3: Conclusion.
The best fit is B, since “sarcasm of destiny” refers to the ironic inevitability of fate asserting itself. \[ \boxed{\text{Destiny ultimately asserts itself.}} \]
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Question: 3

Among the options given below, which phrase specifically captures the change of mood of the protagonist?

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When analyzing mood changes, look for options that show a clear progression from a negative state to a more empowered or positive state. “Depression to daring” captures this best.
Updated On: Aug 30, 2025
  • To be or not to be
  • Despair and hope
  • Depression to daring
  • Darkness to light
  • Loathing to yearning
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The Correct Option is C

Solution and Explanation

The question asks which phrase best reflects the change in the protagonist’s mood.
Option (A) “To be or not to be” is a philosophical dilemma (famous from Shakespeare’s Hamlet), but it does not describe an emotional transformation.
Option (B) “Despair and hope” suggests contrasting states, but not necessarily a progression of mood.
Option (C) “Depression to daring” clearly indicates a movement from sadness or hopelessness to courage and boldness — a direct description of a change in mood.
Option (D) “Darkness to light” is metaphorical and general, not specific to mood.
Option (E) “Loathing to yearning” reflects a change in feelings but not necessarily the protagonist’s emotional transformation of courage. Thus, the most precise phrase is: \[ \boxed{\text{Depression to daring}} \]
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Question: 4

Match the words on the left with the correctly related words on the right:
Words Related Words
i. Counterpanea. Burial
ii. Dungeonb. Bed
iii. Guillotinec. Execution
iv. Shroudd. Cell
Which of the above ‘related words’ on the right-hand side are correctly matched with ‘words’ on the left-hand side?

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For vocabulary matching, link each word to its {core function or usage}: counterpane\(\to\)bed; dungeon\(\to\)cell; guillotine\(\to\)execution; shroud\(\to\)burial. This avoids confusion with near-synonyms.
Updated On: Aug 30, 2025
  • i - b,\ ii - d,\ iii - c,\ iv - a
  • i - a,\ ii - d,\ iii - b,\ iv - c
  • i - a,\ ii - d,\ iii - c,\ iv - b
  • i - d,\ ii - b,\ iii - a,\ iv - c
  • i - b,\ ii - a,\ iii - c,\ iv - d
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The Correct Option is A

Solution and Explanation

i) Counterpane $\to$ Bed (b).
A counterpane is a bedspread or quilt spread over a bed \(\Rightarrow\) related to {Bed}.
ii) Dungeon $\to$ Cell (d).
A dungeon is a strong, usually underground {prison cell} \(\Rightarrow\) related to {Cell}.
iii) Guillotine $\to$ Execution (c).
A guillotine is a device historically used for carrying out {executions} \(\Rightarrow\) related to {Execution}.
iv) Shroud $\to$ Burial (a).
A shroud is a cloth used to wrap a body for {burial} \(\Rightarrow\) related to {Burial}.
\[ \boxed{\text{i-b,\ ii-d,\ iii-c,\ iv-a}} \]
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